Jonathan Demme's Oscar-winning cult thriller »The Silence of the Lambs« from 1991 still creeps under the skin of its audience today, around 35 years after its premiere, as intensely as Buffalo Bill's knife does that with his victims. Demme needed no exploitative orgies of violence, no excessive action sequences, and not even the surprise jump scares expected in the genre. His true unease arises from something entirely different: the intertwining of a grotesque series of murders with the systemic inequality faced by a young woman in a male-dominated system – and the frightening closeness to her cannibalistic mentor in a maximum-security prison.
Especially for home cinema fans and lovers of this classic, it was always a bitter pill to swallow that the previous home cinema releases in German-speaking countries simply didn't do this masterpiece justice: The old German Blu-ray from MGM – to be fair, from 2009, but even then no better than a decent DVD – suffered from overly compressed film grain, a muddy picture, and shadows that were more gray than black. The incorrect pitch of the German dubbing was another bumper. In short: the old Blu-ray looked as if it had slipped through quality control half-asleep.
The brand-new Capelight UHD finally rectifies this misstep: Back in 2021, MGM produced a 4K film scan of »The Silence of the Lambs«, and in the same year, the label Kino Lorber released a UHD exclusively in the US – but was careless with the color grading. As a result, presumably due to an incorrectly defined color space, a greenish tint appeared in the first 20 minutes. The British film distributor and restorer Arrow Films corrected this error in 2024, producing an excellent new master. This can now be admired on the Capelight UHD, which has been available in stores since November 6, 2025, in three different versions. An overview including ordering options can be found here:
https://www.capelight.de/das-schweigen-der-laemmerAnd what a difference this new release makes! The extended dynamic range in HDR10 and Dolby Vision, as well as the new grading in the larger BT.2020 color space, are used effectively without distorting the deliberately desaturated palette. Highlights, used judiciously, reach around 250 nits or are even significantly brighter in certain areas – resulting in a wonderfully realistic dynamic range with punch and clarity that nevertheless retains a cinematic feel. Speaking of cinematic, the analog film grain is also back, lending the material an organic, film-typical texture.
The significantly sharper, clearer image quality reveals details of the mise-en-scène that were simply lost in the earlier transfer. Never before has the psychological duel between Clarice Starling (Jodie Foster) and Dr. Hannibal Lecter (Anthony Hopkins) been so compelling: Hopkins' analytical gaze meets the audience in the frontal close-ups with a precision that is penetrating, even unsettling. In these moments, Clarice appears more vulnerable and exposed than ever before – an effect that this new Capelight release fully captures, clearly demonstrating how much the original material benefits from an expanded color gamut and dynamic range, as well as clean, high-quality encoding.
The audio has finally been corrected as well. The German version now plays at the correct pitch, complemented by a more spacious mix with clean treble and a bass foundation that makes the pressure in the prison corridors physically palpable. No over-the-top modernization, but rather an appropriate and respectful update. In addition to the German and English audio tracks in DTS-HD Master Audio 5.1 (unfortunately no Dolby Atmos), the disc also includes corrected English and German audio tracks in PCM 2.0.
We would also like to highlight Capelight's beautifully designed mediabook: In addition to the technically superb UHD, it also includes a Blu-ray based on the same master as the UHD – and is superior to the old 2009 Blu-ray in every respect. While the Blu-ray was mastered in a smaller color space with less dynamic range (SDR reaches a maximum of 100 nits) and has a significantly lower data rate than the UHD due to the format, the details described above are still discernible, especially compared to the old Blu-ray, and the colors are exactly where they should be. This new release is therefore worthwhile even for film fans who don't own a UHD player (or who aren't fans of HDR, which is a valid point). An additional bonus Blu-ray contains extensive and carefully curated archive and background material with a running time of over 4.5 hours!
This great release is rounded off with three worthwhile and well-translated essays by Alexandra West, Sam Moore and Josh Nelson in the 48-page booklet – attractively designed with promo pictures and stills from the movie.
Conclusion:
Capelight delivers by far the best release of »The Silence of the Lambs« ever seen in German-speaking countries – technically flawless, aesthetically sensitive, and narratively back where the film belongs. Demme's cult thriller is not just restored, but truly rehabilitated: a classic that can now be experienced on home video as razor-sharp, pitch-black, and deeply disturbing. Therefore, we wholeheartedly recommend it – and it's a collector's item that belongs on every film shelf!
Speaking of "collector's items": Just yesterday, a small, unexpected shipment of the brilliant
Hannibal Lecter Ultimate Figure in the "Masked Version" by NECA arrived, which of course looks perfect next to the Mediabook on your movie shelf. 😉
Gosh, we do wish we could chat longer about this great movie, but we're having an old friend for dinner. 😋🍽️😜