News
14.08.2026 • THE FLY – 40 YEARS OF BODY HORROR
Tomorrow marks exactly 40 years since »The Fly« hit US theaters. That is certainly a great reason to revisit David Cronenberg's masterpiece. »The Fly« is currently available for streaming on Disney+.
In 1957, the underlying short story by author George Langelaan was published in Playboy magazine. Just one year later, »The Fly« was adapted for the screen under the direction of Kurt Neumann. The scientist André Delambre has invented a teleportation machine. During a self-experiment, he overlooks a fly inside the device, and the machine crosses the two with each other: Delambre now has a gigantic fly head and a fly arm, while the fly has a human head and arm. Delambre hides his monstrous head under a cloth and is unable to speak. The revelation of his appearance forms the dramatic climax of the film.
When first watching the Cronenberg film, many viewers surely still had the original in mind, and the movie poster also laid a matching false trail. On the poster, you see the scientist – named Seth Brundle here – inside his teleportation machine. The center of the image is overexposed, so his head cannot be seen. You only see a human arm reaching out and a fly leg stretching forth.
When Brundle then teleports himself in his self-experiment – surprise! –, he emerges from the machine completely unharmed. At first, he feels truly great: stronger, more alert, and convinced that the transportation process has a purifying effect. But he slowly begins to change, and a computer analysis of the transporter log uncovers the horrifying truth: his DNA has fused with the DNA of a housefly.
His gradual transformation is body horror at its absolute finest. Lead actor Jeff Goldblum excellently embodies the eccentric scientist and his metamorphosis – with all the physical and psychological changes, right down to the loss of his humanity.
Major praise also goes to makeup artists Chris Walas and Stephan Dupuis, who were awarded the Oscar in 1987 in the »Best Makeup« category for the drastic body horror effects.
For us, »The Fly« is simply THE ultimate body horror film. It has earned an honorary place in cinema history and, of course, in every horror movie collection.
In 1957, the underlying short story by author George Langelaan was published in Playboy magazine. Just one year later, »The Fly« was adapted for the screen under the direction of Kurt Neumann. The scientist André Delambre has invented a teleportation machine. During a self-experiment, he overlooks a fly inside the device, and the machine crosses the two with each other: Delambre now has a gigantic fly head and a fly arm, while the fly has a human head and arm. Delambre hides his monstrous head under a cloth and is unable to speak. The revelation of his appearance forms the dramatic climax of the film.
When first watching the Cronenberg film, many viewers surely still had the original in mind, and the movie poster also laid a matching false trail. On the poster, you see the scientist – named Seth Brundle here – inside his teleportation machine. The center of the image is overexposed, so his head cannot be seen. You only see a human arm reaching out and a fly leg stretching forth.
When Brundle then teleports himself in his self-experiment – surprise! –, he emerges from the machine completely unharmed. At first, he feels truly great: stronger, more alert, and convinced that the transportation process has a purifying effect. But he slowly begins to change, and a computer analysis of the transporter log uncovers the horrifying truth: his DNA has fused with the DNA of a housefly.
His gradual transformation is body horror at its absolute finest. Lead actor Jeff Goldblum excellently embodies the eccentric scientist and his metamorphosis – with all the physical and psychological changes, right down to the loss of his humanity.
Major praise also goes to makeup artists Chris Walas and Stephan Dupuis, who were awarded the Oscar in 1987 in the »Best Makeup« category for the drastic body horror effects.
For us, »The Fly« is simply THE ultimate body horror film. It has earned an honorary place in cinema history and, of course, in every horror movie collection.
13.08.2026 •
It's going to be hot again today. So, it makes sense to escape into a pleasantly air-conditioned movie theater. This Thursday, however, it’s more than just the AC that’s drawing us to a screening. We have two films on our list that we believe are definitely worth a trip to the movies – completely regardless of the weather.
»The End of Oak Street« is the latest work by David Robert Mitchell, who already knew how to thrill us with his previous two films, »It Follows« and »Under the Silver Lake«. The plot centers on the Platt family, who discover that an inexplicable cosmic event has displaced their entire neighborhood on Oak Street to an unknown location, and perhaps even a different time. In this otherworldly realm, dinosaurs roam free, and the family – mother Denise (Anne Hathaway), father Greg (Ewan McGregor), and their two children Brian and Audrey – must fight for survival. We were hooked right after watching the trailer and can't wait to find out more:
https://youtu.be/3oB9AxspVow
The Japanese film »Exit 8« is based on the short indie game of the same name that went viral online. Director Genki Kawamura sends a young man into a subway corridor that constantly repeats itself in a seemingly endless loop. To escape, he must find “Exit 8”. The rules are simple: If you spot an anomaly, turn back immediately. If not, keep walking. Finally, leave the corridor through Exit 8. However, a single moment of carelessness throws the protagonist right back to the beginning. Will he ever reach his goal and escape this infinite hallway?
The endless corridors in the film's trailer instantly exude a certain »Backrooms« vibe:
https://youtu.be/4fIaG1RjWMU
That alone makes the film a total must-see for us. What about you?
»The End of Oak Street« is the latest work by David Robert Mitchell, who already knew how to thrill us with his previous two films, »It Follows« and »Under the Silver Lake«. The plot centers on the Platt family, who discover that an inexplicable cosmic event has displaced their entire neighborhood on Oak Street to an unknown location, and perhaps even a different time. In this otherworldly realm, dinosaurs roam free, and the family – mother Denise (Anne Hathaway), father Greg (Ewan McGregor), and their two children Brian and Audrey – must fight for survival. We were hooked right after watching the trailer and can't wait to find out more:
https://youtu.be/3oB9AxspVow
The Japanese film »Exit 8« is based on the short indie game of the same name that went viral online. Director Genki Kawamura sends a young man into a subway corridor that constantly repeats itself in a seemingly endless loop. To escape, he must find “Exit 8”. The rules are simple: If you spot an anomaly, turn back immediately. If not, keep walking. Finally, leave the corridor through Exit 8. However, a single moment of carelessness throws the protagonist right back to the beginning. Will he ever reach his goal and escape this infinite hallway?
The endless corridors in the film's trailer instantly exude a certain »Backrooms« vibe:
https://youtu.be/4fIaG1RjWMU
That alone makes the film a total must-see for us. What about you?
12.08.2026 • THE WORLD NEEDS HOPE
South Korean films regularly command our attention. Alongside Japan, South Korea is one of the Asian film nations with arguably the most fascinating output of remarkable works – frequently within genre cinema such as horror, sci-fi, and thrillers. Renowned directors have already gifted us many thrilling hours in theaters and on our couches at home. The list of must-watch films is long. To name just a few: Park Chan-wook (»Oldboy«, »Lady Vengeance«, »The Handmaiden«, »Decision to Leave«, »No Other Choice«), Bong Joon-ho (»Parasite«, »Memories of Murder«, »Snowpiercer«), Kim Jee-woon (»I Saw the Devil«, »A Tale of Two Sisters«), Yeon Sang-ho (»Train to Busan«), and Na Hong-jin (»The Wailing«, »The Chaser«, »The Yellow Sea«).
From the latter comes »Hope«, which is set to hit German theaters on October 8th.
In the abandoned village of Hope Harbor, Police Chief Bum-seok and Officer Sung-ae are called to investigate incidents surrounding a mysterious creature that is causing chaos in the community. But things are not as they seem, and perceptions can be deceiving.
Packed with chaos, massive destruction, and dynamic camera movements, the trailer exerts a powerful pull and definitely leaves you wanting more:
https://youtu.be/0d7lZ9ZXFlc
From the latter comes »Hope«, which is set to hit German theaters on October 8th.
In the abandoned village of Hope Harbor, Police Chief Bum-seok and Officer Sung-ae are called to investigate incidents surrounding a mysterious creature that is causing chaos in the community. But things are not as they seem, and perceptions can be deceiving.
Packed with chaos, massive destruction, and dynamic camera movements, the trailer exerts a powerful pull and definitely leaves you wanting more:
https://youtu.be/0d7lZ9ZXFlc
11.08.2026 • HOT TOYS CONQUERS THE FORTNITE UNIVERSE
Another great manufacturer snaps up the license to a gaming hit: Hot Toys is taking over the »Fortnite« universe! Anytime soon, the first 1/6th scale release will be dropped for pre-order, marking the first time ever that this game is getting true premium-level figures.
»Fortnite« is globally recognized as one of the most successful battle royale games, currently boasting around 110 million monthly active players. Over time, collaborations with countless major franchises have transformed it into a massive crossover platform. Marvel, Star Wars, Tomb Raider, numerous anime characters, and many more are all represented. This gives players the chance to jump into battle as characters like Anakin Skywalker, Lara Croft, Gojo, Wolverine, Catwoman, Kratos, Jinx, Ezio Auditore, Naruto, Avatar Korra, or Son Goku – and that is not even scratching the surface of the entire spectrum available to anyone with the spare change for in-game purchases.
It remains to be seen to what extent Hot Toys will rely on popular original characters or crossover skins for the initial reveals. We are excited to find out!
»Fortnite« is globally recognized as one of the most successful battle royale games, currently boasting around 110 million monthly active players. Over time, collaborations with countless major franchises have transformed it into a massive crossover platform. Marvel, Star Wars, Tomb Raider, numerous anime characters, and many more are all represented. This gives players the chance to jump into battle as characters like Anakin Skywalker, Lara Croft, Gojo, Wolverine, Catwoman, Kratos, Jinx, Ezio Auditore, Naruto, Avatar Korra, or Son Goku – and that is not even scratching the surface of the entire spectrum available to anyone with the spare change for in-game purchases.
It remains to be seen to what extent Hot Toys will rely on popular original characters or crossover skins for the initial reveals. We are excited to find out!
07.08.2026 • 1/6 SCALE AT SDCC 2026
As you know, our Mick is a huge 1:6 scale enthusiast. So naturally, while browsing through the San Diego Comic Con coverage, he focused on his favorite scale. For the Action Figure District he has now rounded up all the key new releases from Asmus Toys, Factory Entertainment, Hot Toys, InArt, Jazzinc Dioramas, Kaustic Plastik, and Sideshow. Here's the link to his article:
https://action-figure-district.de/san-diego-comic-con-2026/
https://action-figure-district.de/san-diego-comic-con-2026/
06.08.2026 • DOUBLE DOSE OF HORROR
We'd like to present you two very different horror films that are hitting theaters today:
NIGHTBORN
»Nightborn« is the new film by Hanna Bergholm, who made a name for herself in 2022 with her debut, »Hatching«.
In the forests of Finland, Saga (Seidi Haarla) and her husband Jon (Rupert Grint) begin a new chapter of their lives as first-time parents. However, Saga's joy is overshadowed by a disturbing suspicion regarding her newborn – a secret she keeps from Jon, driving a wedge between them as she grapples alone with the unsettling truth.
The film falls into the niche subgenre of maternity horror. Critics note that Bergholm skillfully blends folk horror with a touch of body horror, leaving ample room for interpretation, such as viewing the story through the lens of postpartum psychosis.
Unfortunately, the film is opening in only a few cinemas and won't be shown on the big screen in many cities at all. This is particularly regrettable, as the trailer and atmospheric visuals make a highly promising impression:
https://youtu.be/dWePsu_Kd9c
For us, »Nightborn« would definitely be worth a trip to the theater!
ICE CREAM MAN
»Ice Cream Man« comes from horror enfant terrible Eli Roth, who is once again intent on provoking at all costs. For his new film, he appears to have drawn inspiration from both »Terrifier« and »Weapons« – though without matching the technical craftsmanship of the former or the narrative brilliance of the latter.
A small town in summer descends into madness when an ice cream vendor serves children sweet treats with horrific consequences. Conceived as a fun-splatter flick, the movie will likely appeal primarily to gorehounds who aren't looking for complex storytelling. However, reviews of the bloodbath Roth has concocted have been overwhelmingly negative so far.
Want a sneak peek? Fair warning: it's definitely not for the faint of heart!
https://youtu.be/2JeUjIqK_4c
NIGHTBORN
»Nightborn« is the new film by Hanna Bergholm, who made a name for herself in 2022 with her debut, »Hatching«.
In the forests of Finland, Saga (Seidi Haarla) and her husband Jon (Rupert Grint) begin a new chapter of their lives as first-time parents. However, Saga's joy is overshadowed by a disturbing suspicion regarding her newborn – a secret she keeps from Jon, driving a wedge between them as she grapples alone with the unsettling truth.
The film falls into the niche subgenre of maternity horror. Critics note that Bergholm skillfully blends folk horror with a touch of body horror, leaving ample room for interpretation, such as viewing the story through the lens of postpartum psychosis.
Unfortunately, the film is opening in only a few cinemas and won't be shown on the big screen in many cities at all. This is particularly regrettable, as the trailer and atmospheric visuals make a highly promising impression:
https://youtu.be/dWePsu_Kd9c
For us, »Nightborn« would definitely be worth a trip to the theater!
ICE CREAM MAN
»Ice Cream Man« comes from horror enfant terrible Eli Roth, who is once again intent on provoking at all costs. For his new film, he appears to have drawn inspiration from both »Terrifier« and »Weapons« – though without matching the technical craftsmanship of the former or the narrative brilliance of the latter.
A small town in summer descends into madness when an ice cream vendor serves children sweet treats with horrific consequences. Conceived as a fun-splatter flick, the movie will likely appeal primarily to gorehounds who aren't looking for complex storytelling. However, reviews of the bloodbath Roth has concocted have been overwhelmingly negative so far.
Want a sneak peek? Fair warning: it's definitely not for the faint of heart!
https://youtu.be/2JeUjIqK_4c
06.08.2026 • FREDDY KRUEGER RETURNS?
Have you heard that Paramount Pictures has snatched the U.S. film rights to the original screenplay of Wes Craven's horror classic »A Nightmare on Elm Street« from 1984? So, a new remake is once again a concrete prospect. Many fans were left unsatisfied by the 2010 remake and have since been hoping for a new, successful revival of the cult franchise.
By acquiring the U.S. rights, Paramount has secured the foundation for bringing Freddy Krueger back to the big screen. International film rights remain with New Line Cinema (and, by extension, Warner Bros.), meaning the rights to the franchise are currently split between the studios.
There is no information yet regarding the director, cast, or a potential theatrical release date. The project is currently in the early stages of development.
The iconic 80's flick left an indelible mark on the genre and established Freddy Krueger as one of the most recognized horror figures in film history. It remains to be seen whether the remake can match the dark atmosphere and cult status of the original. However, for horror fans, the prospect of the infamous Springwood Slasher returning is undoubtedly an exciting development.
By acquiring the U.S. rights, Paramount has secured the foundation for bringing Freddy Krueger back to the big screen. International film rights remain with New Line Cinema (and, by extension, Warner Bros.), meaning the rights to the franchise are currently split between the studios.
There is no information yet regarding the director, cast, or a potential theatrical release date. The project is currently in the early stages of development.
The iconic 80's flick left an indelible mark on the genre and established Freddy Krueger as one of the most recognized horror figures in film history. It remains to be seen whether the remake can match the dark atmosphere and cult status of the original. However, for horror fans, the prospect of the infamous Springwood Slasher returning is undoubtedly an exciting development.
05.08.2026 • A BLIGHT, GIANT DOGS, AND SUPERHEROES
This week features two video game releases that couldn't be more different. On one hand, we have an exciting fantasy ARPG for you, and on the other, a classic fighting game from the Marvel universe.
BEAST OF REINCARNATION
Let's start with a short review of »Beast of Reincarnation«. The video game by Pokémon developer Game Freak was released yesterday for PlayStation 5, Xbox Series X|S, and PC. Joanna has already spent a few hours fighting her way through the Blight and has the following to say about the new action RPG:
The story takes place in Japan in the year 4026, where humanity was almost completely wiped out by a plague long ago. Infected animals mutate into so-called Malefacts – hybrids of flora and fauna that rampage across the world in blind aggression. That is why we step into the shoes of the Sealer, Emma. The silent heroine may lack empathy at first, but she certainly does not lack skills. She and her dog Koo are also victims of the Blight, but they use it to their advantage in the fight against the Nushi, the powerful alpha monsters. In this way, Emma can absorb their power to ultimately defeat the root of all evil – the Beast of Reincarnation.
Unfortunately, »Beast of Reincarnation« comes with some very clear weaknesses. Although this nature-reclaimed Japan is beautiful to look at and creates an atmosphere similar to Hayao Miyazaki's »Princess Mononoke« and »Castle in the Sky«, the game struggles with performance issues and FPS drops even on more powerful PCs. The lighting feels messy in places, and the visuals can look grainy at times. Despite Unreal Engine 5, it lacks polish. Just as much of an acquired taste is the storytelling, which is a bit too fragmented, taking place via flashbacks and through dialogue in the middle of hectic boss fights.
On the other hand, a huge plus is the precise combat system, which offers plenty of fun and variety. While Emma slashes, parries, evades, and blocks her way through the overgrown enemies, she can issue tactical commands to her loyal companion Koo to gain an upper hand. Sometimes the oversized dog serves as a distraction for unsuspecting enemies to pull off a stealth attack; other times he casts powerful abilities that bind, unbalance, or generally weaken the attacker. The combat system is reminiscent of games like »Final Fantasy VII Remake«, »Sekiro«, or »NieR«. However, it is not a Soulslike title. The RPG elements are kept simple yet still feel rewarding. All in all, »Beast of Reincarnation« plays unexpectedly well for a work by the Pokémon developers. Click here for the launch trailer:
https://youtu.be/YBAuVSnS0ls
MARVEL TŌKON: FIGHTING SOULS
Marvel fans aren't just getting their fill of superhero action in theaters! Tomorrow, the fighting game »Marvel Tōkon: Fighting Souls« officially launches, exclusively for PlayStation 5 and PC. The timing couldn't be better with the new Spider-Man film and the anticipation building for »Avengers: Doomsday«. The game's playable roster features both heroes and villains straight from the Marvel comics – or antiheroes like our beloved Deadpool. While you'll be brawling with your opponents in a classic 2.5D perspective, the gameplay introduces an innovative 4v4 tag-team system. This means you select four fighters at the start, hit the arena with two of them, and unlock the remaining two as the battle progresses to seamlessly unleash their unique abilities and combo chains.
Right from the launch, a 20-character roster is available in Arc System Works' signature anime style. From Captain America, Iron Man, and Wolverine to Dr. Doom and Loki, all the way to Star-Lord, Ghost Rider, and Ms. Marvel, it has everything to make a Marvel fan's heart beat faster. Phoenix Cyclops is already locked in as the very first DLC character, with three more fighters set to follow later this year. As in any good fighting game, you can choose between a story-driven single-player mode, local Versus, and a fully-fledged Ranked Mode. Check out the launch trailer here:
https://youtu.be/rJqTurD4cew
Naturally, Marvel is a massive deal in our shop as well! So don't hesitate to browse through your favorite heroes and villains. Just about two weeks ago, in line with SDCC, numerous new collectibles became available for pre-order – including the 1/6 scale Spider-Man and Hulk from Hot Toys based on the new »Spider-Man: Brand New Day«, as well as the 1/10 scale Doctor Doom on Throne and Magneto statues from Iron Studios from the upcoming »Avengers: Doomsday«. Start exploring right here:
https://www.space-figuren.de/products_all.php?filter%5B2%5D%5B0%5D=48&page=1
BEAST OF REINCARNATION
Let's start with a short review of »Beast of Reincarnation«. The video game by Pokémon developer Game Freak was released yesterday for PlayStation 5, Xbox Series X|S, and PC. Joanna has already spent a few hours fighting her way through the Blight and has the following to say about the new action RPG:
The story takes place in Japan in the year 4026, where humanity was almost completely wiped out by a plague long ago. Infected animals mutate into so-called Malefacts – hybrids of flora and fauna that rampage across the world in blind aggression. That is why we step into the shoes of the Sealer, Emma. The silent heroine may lack empathy at first, but she certainly does not lack skills. She and her dog Koo are also victims of the Blight, but they use it to their advantage in the fight against the Nushi, the powerful alpha monsters. In this way, Emma can absorb their power to ultimately defeat the root of all evil – the Beast of Reincarnation.
Unfortunately, »Beast of Reincarnation« comes with some very clear weaknesses. Although this nature-reclaimed Japan is beautiful to look at and creates an atmosphere similar to Hayao Miyazaki's »Princess Mononoke« and »Castle in the Sky«, the game struggles with performance issues and FPS drops even on more powerful PCs. The lighting feels messy in places, and the visuals can look grainy at times. Despite Unreal Engine 5, it lacks polish. Just as much of an acquired taste is the storytelling, which is a bit too fragmented, taking place via flashbacks and through dialogue in the middle of hectic boss fights.
On the other hand, a huge plus is the precise combat system, which offers plenty of fun and variety. While Emma slashes, parries, evades, and blocks her way through the overgrown enemies, she can issue tactical commands to her loyal companion Koo to gain an upper hand. Sometimes the oversized dog serves as a distraction for unsuspecting enemies to pull off a stealth attack; other times he casts powerful abilities that bind, unbalance, or generally weaken the attacker. The combat system is reminiscent of games like »Final Fantasy VII Remake«, »Sekiro«, or »NieR«. However, it is not a Soulslike title. The RPG elements are kept simple yet still feel rewarding. All in all, »Beast of Reincarnation« plays unexpectedly well for a work by the Pokémon developers. Click here for the launch trailer:
https://youtu.be/YBAuVSnS0ls
MARVEL TŌKON: FIGHTING SOULS
Marvel fans aren't just getting their fill of superhero action in theaters! Tomorrow, the fighting game »Marvel Tōkon: Fighting Souls« officially launches, exclusively for PlayStation 5 and PC. The timing couldn't be better with the new Spider-Man film and the anticipation building for »Avengers: Doomsday«. The game's playable roster features both heroes and villains straight from the Marvel comics – or antiheroes like our beloved Deadpool. While you'll be brawling with your opponents in a classic 2.5D perspective, the gameplay introduces an innovative 4v4 tag-team system. This means you select four fighters at the start, hit the arena with two of them, and unlock the remaining two as the battle progresses to seamlessly unleash their unique abilities and combo chains.
Right from the launch, a 20-character roster is available in Arc System Works' signature anime style. From Captain America, Iron Man, and Wolverine to Dr. Doom and Loki, all the way to Star-Lord, Ghost Rider, and Ms. Marvel, it has everything to make a Marvel fan's heart beat faster. Phoenix Cyclops is already locked in as the very first DLC character, with three more fighters set to follow later this year. As in any good fighting game, you can choose between a story-driven single-player mode, local Versus, and a fully-fledged Ranked Mode. Check out the launch trailer here:
https://youtu.be/rJqTurD4cew
Naturally, Marvel is a massive deal in our shop as well! So don't hesitate to browse through your favorite heroes and villains. Just about two weeks ago, in line with SDCC, numerous new collectibles became available for pre-order – including the 1/6 scale Spider-Man and Hulk from Hot Toys based on the new »Spider-Man: Brand New Day«, as well as the 1/10 scale Doctor Doom on Throne and Magneto statues from Iron Studios from the upcoming »Avengers: Doomsday«. Start exploring right here:
https://www.space-figuren.de/products_all.php?filter%5B2%5D%5B0%5D=48&page=1
04.08.2026 • SPIDER-MAN: BRAND NEW DAY – SPOILER-FREE REVIEW
Our resident Marvel nerd Tim caught »Spider-Man: Brand New Day« last Thursday, and he is absolutely blown away! Spider-Man is and remains the best-known and most beloved Marvel character, so it's hardly surprising that this movie is genuinely filling theaters again. In its opening weekend alone, it grossed an incredible $927 million worldwide – the second-best theatrical opening of all time! To lure in the few of you who might still be on the fence, here's a little spoiler-free review by Tim:
There are MANY potential spoilers, and thankfully the countless trailers only scratched the surface, contrary to what we all expected. The first paragraph, however, may contain spoilers for the »Avengers« movies and especially for the predecessor, »Spider-Man: No Way Home«.
Let's start with where we currently stand in the MCU, and in Spidey's story in particular. After Peter is brought back into the world five years after the great Blip, along with his best friend Ned and the love of his life MJ, he has to fight the sanctimonious fake superhero Mysterio, and is then blamed for his death and unmasked in front of the entire world. The consequences catch up with him and his loved ones: neither Peter nor Ned nor MJ gets into MIT. Looking for a way out, Peter asks Doctor Strange to make the world forget his identity – the spell goes wrong, and the multiverse cracks open. What follows is a fight against villains from other Spider-Man universes, during which Peter not only learns from the other Spideys (Andrew Garfield and Tobey Maguire) to choose forgiveness over vengeance, but also loses Aunt May. To spare MJ and Ned that same fate, Peter ultimately lets Strange cast one last, radical spell: the entire world – MJ and Ned included – forgets that Peter Parker ever existed. What remains is a Spider-Man nobody knows as Peter anymore.
The new movie opens on exactly that hard break: Peter Parker has all but vanished from the life of the friendly neighborhood spider, who now focuses entirely on his work and image as the city's anonymous helping hand – and does that job so well that barely any villain stands even a remote chance. Here, the visual language of director Destin Daniel Cretton and cinematographer Brett Pawlak skillfully references not only some of the most famous comic covers but also Insomniac's »Marvel's Spider-Man« game series. I wouldn't have expected these subtle yet unmistakable nods to the games to work so incredibly well. Maybe it isn't just a comic book adaptation, but a bit of a video game adaptation as well. In general, the production design and the camerawork – alongside the performances, but more on those later – contribute the most to how well this movie works. The picture feels like the quintessential comic book page brought to life, strikes an insanely good balance between rich colors and darker moments, and in doing so looks better than many of the garishly colorful yet low-contrast CGI battles that have defined the MCU's recent years. Which probably has a lot to do with the fact that it was shot mostly on real locations instead of on a soundstage. For the ultra-slow-motion fight scenes and the chases through New York, Tom Holland and his stunt double even swung through the streets themselves – on location in Glasgow, which is frequently used as a stand-in for New York. The new suit and the web-swinging look absolutely fantastic, largely coordinated by VFX supervisor Jerome Chen, who was already responsible for that same aspect on »The Amazing Spider-Man« – which was the best part of the 2012 film. And of course you can feel Cretton's penchant for '70s martial arts cinema and, by extension, for »The Matrix«. Outside of the Marvel world, that was clearly the biggest influence on »Spider-Man: Brand New Day«.
I don't want to say too much about the story, other than that the writing team has managed to create a movie that works beautifully on its own despite its COUNTLESS supporting characters from every conceivable Marvel project. You don't even need to know Frank Castle/The Punisher's backstory to understand who this man is – and that's despite him being the clear second lead. Which brings us straight to the absolute highlight of this film: the relationship between Jon Bernthal's Punisher and Spidey. BRILLIANT. Their verbal sparring is that of two brothers who love each other but hold diametrically opposed views of the world. And the fact that they pulled off weaving a clearly R-rated character like the Punisher into a PG-13 story without him ever feeling out of place is impressive. I really hope this isn't the last team-up for these two. The rough-edged Punisher as the new mentor also stands as a symbol for a Spidey who has grown up considerably across the board. He's no longer the high school kid under the wing of Tony Stark and Happy Hogan, but a young man in his mid-twenties. That also allows for a few scenes we definitely wouldn't have gotten in the first trilogy, chief among them a very funny bit with Yelena Belova/Black Widow – you'll see. The best fight scene in the film is definitely the one between Spidey and Hulk, whom we haven't seen this big, this raw, and this unrestrained in a very long time. It's hard to explain how it comes about without spoiling a major plot point – but it was the right way to bring him back, because it also paves the way for an angry, brutal Hulk in the upcoming »Avengers« movies.
The through line of the movie is the story around Sadie Sink's character. She is the perfect casting for this role, vulnerable and menacing at the same time, at points even disturbingly sadistic. I'll leave it at that.
By the way: when the fade to black arrived at the end, complete with a small cliffhanger, my little provincial movie theater erupted in thunderous applause – at an original-language screening, the kind that's rarely ever really full, but this time was packed.
All in all, this movie joins the ranks of the best superhero films of all time for me, and fresh out of the theater, the only thing that beats it in live-action Spider-Man history is Sam Raimi's second film. IMDb rates it even higher: with an 8.2 it places the movie behind the »Spider-Verse« films but ahead of every other live-action Spider-Man, and over on Rotten Tomatoes it currently sits at 89% with critics and even 98% with audiences – a perfect start to the second Tom Holland trilogy!
There are MANY potential spoilers, and thankfully the countless trailers only scratched the surface, contrary to what we all expected. The first paragraph, however, may contain spoilers for the »Avengers« movies and especially for the predecessor, »Spider-Man: No Way Home«.
Let's start with where we currently stand in the MCU, and in Spidey's story in particular. After Peter is brought back into the world five years after the great Blip, along with his best friend Ned and the love of his life MJ, he has to fight the sanctimonious fake superhero Mysterio, and is then blamed for his death and unmasked in front of the entire world. The consequences catch up with him and his loved ones: neither Peter nor Ned nor MJ gets into MIT. Looking for a way out, Peter asks Doctor Strange to make the world forget his identity – the spell goes wrong, and the multiverse cracks open. What follows is a fight against villains from other Spider-Man universes, during which Peter not only learns from the other Spideys (Andrew Garfield and Tobey Maguire) to choose forgiveness over vengeance, but also loses Aunt May. To spare MJ and Ned that same fate, Peter ultimately lets Strange cast one last, radical spell: the entire world – MJ and Ned included – forgets that Peter Parker ever existed. What remains is a Spider-Man nobody knows as Peter anymore.
The new movie opens on exactly that hard break: Peter Parker has all but vanished from the life of the friendly neighborhood spider, who now focuses entirely on his work and image as the city's anonymous helping hand – and does that job so well that barely any villain stands even a remote chance. Here, the visual language of director Destin Daniel Cretton and cinematographer Brett Pawlak skillfully references not only some of the most famous comic covers but also Insomniac's »Marvel's Spider-Man« game series. I wouldn't have expected these subtle yet unmistakable nods to the games to work so incredibly well. Maybe it isn't just a comic book adaptation, but a bit of a video game adaptation as well. In general, the production design and the camerawork – alongside the performances, but more on those later – contribute the most to how well this movie works. The picture feels like the quintessential comic book page brought to life, strikes an insanely good balance between rich colors and darker moments, and in doing so looks better than many of the garishly colorful yet low-contrast CGI battles that have defined the MCU's recent years. Which probably has a lot to do with the fact that it was shot mostly on real locations instead of on a soundstage. For the ultra-slow-motion fight scenes and the chases through New York, Tom Holland and his stunt double even swung through the streets themselves – on location in Glasgow, which is frequently used as a stand-in for New York. The new suit and the web-swinging look absolutely fantastic, largely coordinated by VFX supervisor Jerome Chen, who was already responsible for that same aspect on »The Amazing Spider-Man« – which was the best part of the 2012 film. And of course you can feel Cretton's penchant for '70s martial arts cinema and, by extension, for »The Matrix«. Outside of the Marvel world, that was clearly the biggest influence on »Spider-Man: Brand New Day«.
I don't want to say too much about the story, other than that the writing team has managed to create a movie that works beautifully on its own despite its COUNTLESS supporting characters from every conceivable Marvel project. You don't even need to know Frank Castle/The Punisher's backstory to understand who this man is – and that's despite him being the clear second lead. Which brings us straight to the absolute highlight of this film: the relationship between Jon Bernthal's Punisher and Spidey. BRILLIANT. Their verbal sparring is that of two brothers who love each other but hold diametrically opposed views of the world. And the fact that they pulled off weaving a clearly R-rated character like the Punisher into a PG-13 story without him ever feeling out of place is impressive. I really hope this isn't the last team-up for these two. The rough-edged Punisher as the new mentor also stands as a symbol for a Spidey who has grown up considerably across the board. He's no longer the high school kid under the wing of Tony Stark and Happy Hogan, but a young man in his mid-twenties. That also allows for a few scenes we definitely wouldn't have gotten in the first trilogy, chief among them a very funny bit with Yelena Belova/Black Widow – you'll see. The best fight scene in the film is definitely the one between Spidey and Hulk, whom we haven't seen this big, this raw, and this unrestrained in a very long time. It's hard to explain how it comes about without spoiling a major plot point – but it was the right way to bring him back, because it also paves the way for an angry, brutal Hulk in the upcoming »Avengers« movies.
The through line of the movie is the story around Sadie Sink's character. She is the perfect casting for this role, vulnerable and menacing at the same time, at points even disturbingly sadistic. I'll leave it at that.
By the way: when the fade to black arrived at the end, complete with a small cliffhanger, my little provincial movie theater erupted in thunderous applause – at an original-language screening, the kind that's rarely ever really full, but this time was packed.
All in all, this movie joins the ranks of the best superhero films of all time for me, and fresh out of the theater, the only thing that beats it in live-action Spider-Man history is Sam Raimi's second film. IMDb rates it even higher: with an 8.2 it places the movie behind the »Spider-Verse« films but ahead of every other live-action Spider-Man, and over on Rotten Tomatoes it currently sits at 89% with critics and even 98% with audiences – a perfect start to the second Tom Holland trilogy!
03.08.2026 • PRODUCT OF THE MONTH AUGUST 2026
Our 💥 Product of the Month 💥 August 2026 hails from Eternia – specifically, from the mysterious depths of Castle Grayskull ...
For many years, the small American manufacturer Tweeterhead – of whom we are well-known fans – has been developing high-quality statues and busts based on the »Masters of the Universe« license. Strictly speaking, Tweeterhead has continued the work Sideshow began in 2015, doing so with perhaps even greater passion and determination. While Sideshow's initial releases focused on key figures like He-Man, Skeletor, and She-Ra (among others), Tweeterhead launched the »MOTU Legends« line – still in close collaboration with Sideshow, incidentally – about five years later with the 1/5 scale Hordak Maquette.
He was initially followed by his Minion, though the line soon expanded to include characters such as Teela, Trap Jaw, and Beast Man. Following a first teaser render in the summer of 2024, the Sorceress »Legends« Maquette officially went up for pre-order in fall of that year. The teaser alone had already thrilled us, but the images of the prototype were truly breathtaking. Anyone who owns a Tweeterhead collectible knows that the – sometimes lengthy – wait is worth it. The final products live up to the announcements in every respect: the paintwork is usually flawless, the statues' anatomy is not only beautifully sculpted but also executed to perfection – ensuring easy assembly – and the overall impression each piece makes in collections around the world is truly special.
Naturally, the outstretched wings of the Sorceress Maquette are the first thing to catch the eye. With a wingspan of approximately 55 centimeters, they not only lend this collectible a sense of epic scale but also create the perfect connection to Zoar, the alter ego of the Guardian of Grayskull. Including its impressive base – which recreates the tallest turret of Castle Grayskull and features the "Spirit of Grayskull" as a hidden Easter egg – the statue stands about 62 centimeters tall. Between the aforementioned paintwork, the superb sculpt, and the Sorceress's gaze – at once graceful and mysterious – there is really only one word to describe this collectible: magical!
The Sorceress »Legends« Maquette is limited to just 415 pieces worldwide. So, it wouldn't surprise us if our remaining stock sells out in no time. If you've got your eye on this fantastic collectible, we suggest acting fast. Tweeterhead has other characters in the pipeline, such as Man-At-Arms and Scare Glow. A brand-new He-Man Maquette featuring the 200X design was also revealed at this year's San Diego Comic Con – a piece we took a first look at in our NADFU SDCC special (episode 37):
https://youtu.be/MNauyh5wMkI
Speaking of which: in NADFU episode 16 you can get a great overview of the entire line (including the Sideshow releases). You can then either kick yourself for what you've missed out on, or use the video as a guide for your next toy-hunting mission:
https://youtu.be/lVOxw89v6HY
For many years, the small American manufacturer Tweeterhead – of whom we are well-known fans – has been developing high-quality statues and busts based on the »Masters of the Universe« license. Strictly speaking, Tweeterhead has continued the work Sideshow began in 2015, doing so with perhaps even greater passion and determination. While Sideshow's initial releases focused on key figures like He-Man, Skeletor, and She-Ra (among others), Tweeterhead launched the »MOTU Legends« line – still in close collaboration with Sideshow, incidentally – about five years later with the 1/5 scale Hordak Maquette.
He was initially followed by his Minion, though the line soon expanded to include characters such as Teela, Trap Jaw, and Beast Man. Following a first teaser render in the summer of 2024, the Sorceress »Legends« Maquette officially went up for pre-order in fall of that year. The teaser alone had already thrilled us, but the images of the prototype were truly breathtaking. Anyone who owns a Tweeterhead collectible knows that the – sometimes lengthy – wait is worth it. The final products live up to the announcements in every respect: the paintwork is usually flawless, the statues' anatomy is not only beautifully sculpted but also executed to perfection – ensuring easy assembly – and the overall impression each piece makes in collections around the world is truly special.
Naturally, the outstretched wings of the Sorceress Maquette are the first thing to catch the eye. With a wingspan of approximately 55 centimeters, they not only lend this collectible a sense of epic scale but also create the perfect connection to Zoar, the alter ego of the Guardian of Grayskull. Including its impressive base – which recreates the tallest turret of Castle Grayskull and features the "Spirit of Grayskull" as a hidden Easter egg – the statue stands about 62 centimeters tall. Between the aforementioned paintwork, the superb sculpt, and the Sorceress's gaze – at once graceful and mysterious – there is really only one word to describe this collectible: magical!
The Sorceress »Legends« Maquette is limited to just 415 pieces worldwide. So, it wouldn't surprise us if our remaining stock sells out in no time. If you've got your eye on this fantastic collectible, we suggest acting fast. Tweeterhead has other characters in the pipeline, such as Man-At-Arms and Scare Glow. A brand-new He-Man Maquette featuring the 200X design was also revealed at this year's San Diego Comic Con – a piece we took a first look at in our NADFU SDCC special (episode 37):
https://youtu.be/MNauyh5wMkI
Speaking of which: in NADFU episode 16 you can get a great overview of the entire line (including the Sideshow releases). You can then either kick yourself for what you've missed out on, or use the video as a guide for your next toy-hunting mission:
https://youtu.be/lVOxw89v6HY
31.07.2026 • NEUES AUS DEM FIGUREN UNIVERSUM - EPISODE 37
Over 135,000 nerds and collectors made the pilgrimage to San Diego last weekend to explore the hottest new pop culture releases in the Convention Center halls. Naturally, we're joining in (virtually) to present you our highlights from the exciting array of collectibles showcased by various manufacturers at the con – all in our 💫 NEUES AUS DEM FIGUREN UNIVERSUM 💫 XXL SDCC 2026 Special! Sven and Eva take you to the booths of Sideshow, NECA, Kaustic Plastik, Iron Studios, Jazzinc Dioramas, and more, marveling alongside you at spectacular new items for fans of Marvel, The Muppets, MOTU, Lord of the Rings, Conan, Pan's Labyrinth, and many others. You definitely don't want to miss this!
NADFU Episode 37 – now on YouTube:
https://youtu.be/MNauyh5wMkI
NADFU Episode 37 – now on YouTube:
https://youtu.be/MNauyh5wMkI
30.07.2026 • SDCC PANELS
SDCC 2026 has wrapped up, and alongside some incredible new collectibles (more on that in our upcoming NADFU special), there was, of course, a wealth of news from the film world. As happens every year, many filmmakers and actors were in attendance. Some, like Johnny Depp or Ryan Reynolds, mingled with the crowd in full costume for upcoming roles, while others, such as Guillermo del Toro and Eli Roth, paid visits to collectible manufacturers. Above all, however, they appeared on numerous panels to showcase their projects. We've summarized the most exciting panels for you here.
AVATAR: THE LAST AIRBENDER
The »Avatar« franchise took center stage at this year's SDCC, primarily due to its new animated movie. Released on July 25 – just shortly after the panel – on Paramount+, »Avatar Aang: The Last Airbender« tells a story featuring the now-adult heroes from the Nickelodeon series »Avatar: The Last Airbender«. Additionally, the creative team led by Konietzko and DiMartino presented a first teaser for the upcoming series »Avatar: Seven Havens«, which is set to launch on Paramount+ on October 9 with 26 episodes. Earthbender Pavi is Korra's successor and must prove herself as the new Avatar in a world where she is feared as the destroyer of humanity. Simultaneously with the panel, the video game »Avatar Legends: The Fighting Game« was released, which will soon feature the movie character Tagah as a free DLC fighter. The fact is, after many years, the »Avatar« franchise is experiencing a massive resurgence. We are excited to see what else Bryan Konietzko and Michael Dante DiMartino have in store for us in the near future!
You can watch the panel here:
https://youtu.be/fv60UgD4UP0
SPACEBALLS
The »Spaceballs: The New One« Panel in the packed Hall H focused entirely on the long-awaited sequel to the 1987 cult satire. The event was moderated by Kevin Smith; attendees included director Josh Greenbaum, the cast – Rick Moranis, Daphne Zuniga, Josh Gad, Keke Palmer, and Lewis Pullman – and screenwriters Dan Hernandez and Benji Samit. Mel Brooks and Bill Pullman sent video messages.
In true Mel Brooks fashion, the »Spaceballs« team parodied Marvel panels and their typical announcements by unveiling a massive »Spaceballs Cinematic Universe« that spanned the hall's 180-degree screens. They showcased bizarre future iterations, sequels, and spin-offs (such as »The Schwartz Awakens« or musicals) across eleven phases. The real highlight, however, was the presence of actor Rick Moranis, who had effectively retired, returning to the screen specifically for the »Spaceballs« sequel. Kevin Smith asked for the room to be "combed" to track down Moranis. And indeed, he was found: wearing Lord Helmet's helmet, he received a standing ovation. During the panel, filmmakers Josh Gad and Josh Greenbaum recalled pitching the sequel to Mel Brooks, while Daphne Zuniga and Rick Moranis discussed returning to their iconic roles and reuniting with Brooks after decades. Keke Palmer shared what it was like to immerse herself in the legendary »Spaceballs« universe, and Lewis Pullman reflected on joining the franchise that had launched the career of his father, Bill Pullman. Gad also paid tribute to one of his personal idols, John Candy, whom he described as the heart and soul of the original film.
The planned US theatrical release date for »Spaceballs: The New One« is April 23, 2027.
Watch the panel here:
https://youtu.be/1O0nlFRhUzE
ALIENS
The »Aliens 40th Anniversary« Panel featured a reunion of many of the film's Space Marines. Participants included Jenette Goldstein (Private Vasquez), Mark Rolston (Private Drake), Ricco Ross (Private Frost), William Hope (Lieutenant Gorman), Daniel Kash (Private Spunkmeyer), Cynthia Scott (Corporal Dietrich), and Carl Toop (Alien Warrior). The panel was moderated by Mark Atkinson.
The actors discussed working with James Cameron and shared their personal casting experiences. They also recounted anecdotes from the set and reflected on the film's groundbreaking practical effects and the masterpiece's enduring legacy. The panel was pleasant and certainly entertaining, though we felt the lineup lacked some of the really big names.
You can find a recording of it here:
https://youtu.be/W_A9NZX9YBg
LUCAS MUSEUM OF NARRATIVE ART
The Lucas Museum of Narrative Art – founded by George Lucas and his wife, Mellody Hobson – opens its doors in Los Angeles on September 22 and is dedicated to the art of storytelling. Lucas had previously introduced the museum himself during a panel at SDCC last year. Now, roughly two months before the opening, Keke Palmer hosted a discussion about the exhibition. Guests included the museum's curator Ryan Linkof; producers, writers, directors, and longtime creative partners Matthew Senreich and Seth Green; and artist Jim Lee, who serves as President, Publisher, and Chief Creative Officer of DC.
Linkof offered a preview of what visitors can expect at the museum. The focus is on celebrating art from everyday life, such as comic books, illustrations, and movie posters, that typically finds no place in traditional art museums. He also revealed that the museum features two theaters with a continuous film program celebrating the art of filmmaking (ranging from experimental films and documentaries to animation) and the artists behind them. Lee also spoke enthusiastically about how the museum highlights art often viewed merely as mass-market entertainment. Works by Frank Frazetta, Norman Rockwell, Lee himself, and many other artists will be on display. He further emphasized the role of art as a means of self-expression and inspiration. Senreich and Green discussed their beginnings as artists and underscored the museum's importance as a place where art is not only collected and exhibited but also preserved. They also had a special announcement: the museum will screen episodes of »Star Wars Detours« – the unreleased animated Star Wars parody series produced by Green and Senreich in collaboration with Lucasfilm Animation.
You can watch the panel here:
https://youtu.be/qR8IFgYjkcw
PAN'S LABYRINTH
One theme ran through several SDCC panels this year like a common thread: the use of AI in the film industry. Back in spring, »Ant-Man« star Evangeline Lilly (Wasp) had angrily lashed out at Disney on Instagram after the company cut around 1,000 jobs – including Marvel's longtime director of visual development, Andy Park, who had designed her Wasp costume, among other things. Lilly accused Disney of planning to have AI reuse the laid-off artists' designs going forward, and directed a curt "Shame on you" straight at the company.
At the »Pan's Labyrinth – 20th Anniversary« panel – a full hour-long conversation with director/writer/producer Guillermo del Toro, Ofelia actress Ivana Baquero, Faun/Pale Man performer Doug Jones, and cinematographer Guillermo Navarro – del Toro essentially sided with Lilly's view and took a clear stance against AI in film: for the upcoming converted 3D version of the movie marking its 20th anniversary, he insisted on personally supervising the process, rejected AI tools entirely, and financed the elaborate conversion himself alongside collaborators — around 1,000 artists rotoscoped the film by hand instead. He also used the moment for some broader AI criticism: the technology, he said, denies up-and-coming artists the chance to ever learn VFX and post-production craft in the first place.
There were also some fascinating glimpses into the craft side of the shoot 20 years ago: for the Faun, whom Doug Jones played alongside the Pale Man, he studied the hind-leg movements of goats and cows. Del Toro's concept had the Faun aging backwards over the course of the film – growing younger, stronger, and more graceful the more Ofelia's belief restores the underworld – realized through gradual changes in makeup, posture, and movement. Ivana Baquero, who was only 11 during filming, described del Toro as unusually collaborative. She said he treated her as an equal creative partner despite her young age. To close, del Toro returned to one of his core beliefs: that art can save lives and offer hope in difficult moments.
Here's the interview:
https://youtu.be/ZkQgyHcVEdQ
MARVEL
As always, the main event in the big Hall H was Marvel Studios' Saturday showcase. This year, studio boss Kevin Feige's presentation focused heavily on the movie side of the Marvel Cinematic Universe – the »VisionQuest« series (October 14 on Disney+), the finale of the Wanda trilogy, only got a brief mention in passing. Otherwise it was all about films, and there are some heavy hitters headed our way. »Spider-Man: Brand New Day« hits theaters this week, and Jon Bernthal (The Punisher) made a brief stage appearance for it. During the big »Avengers: Doomsday« segment of the show, the stars gathered on stage — the most exciting part was easily Hayley Atwell's appearance, which thereby confirmed for the first time that Peggy Carter will be part of the Doomsday story, along with Ryan Reynolds' bizarre cameo in a Jean Grey-colored Deadpool costume, which naturally sent the rumor mill into overdrive. Did he just spoil »Spider-Man«, »Doomsday«, AND »Secret Wars« in one breath?
The biggest and most surprising news of the panel was definitely the announcement of a new »Ghost Rider« movie, with Ryan Gosling in the title role under Shawn Levy's direction. Slated for a 2028 release, Disney is presumably banking on the team behind »Star Wars: Starfighter« here, and looking to lock Ryan Gosling in for the long haul.
Ryan Coogler also unveiled »Black Panther III«, set to hit theaters in December 2028. Alongside Letitia Wright (Shuri) and Winston Duke (M'Baku), he brought David Jonsson (»The Long Walk«, »Alien: Romulus«) on stage, who will play T'Challa Jr., the new Black Panther. That's an unusual choice, since at 32, Jonsson is considerably older than T'Challa's son has been up to now. There was plenty of speculation here too about the possible implications for the MCU's soft reboot after »Avengers: Secret Wars«.
Here you can watch a recording of the panel:
https://youtu.be/-NyY15Stgpc
Besides the Marvel Studios panel, Thursday also brought a showcase for Insomniac's new »Marvel's Wolverine« game, which could definitely turn out to be one of THE games of the year.
AVATAR: THE LAST AIRBENDER
The »Avatar« franchise took center stage at this year's SDCC, primarily due to its new animated movie. Released on July 25 – just shortly after the panel – on Paramount+, »Avatar Aang: The Last Airbender« tells a story featuring the now-adult heroes from the Nickelodeon series »Avatar: The Last Airbender«. Additionally, the creative team led by Konietzko and DiMartino presented a first teaser for the upcoming series »Avatar: Seven Havens«, which is set to launch on Paramount+ on October 9 with 26 episodes. Earthbender Pavi is Korra's successor and must prove herself as the new Avatar in a world where she is feared as the destroyer of humanity. Simultaneously with the panel, the video game »Avatar Legends: The Fighting Game« was released, which will soon feature the movie character Tagah as a free DLC fighter. The fact is, after many years, the »Avatar« franchise is experiencing a massive resurgence. We are excited to see what else Bryan Konietzko and Michael Dante DiMartino have in store for us in the near future!
You can watch the panel here:
https://youtu.be/fv60UgD4UP0
SPACEBALLS
The »Spaceballs: The New One« Panel in the packed Hall H focused entirely on the long-awaited sequel to the 1987 cult satire. The event was moderated by Kevin Smith; attendees included director Josh Greenbaum, the cast – Rick Moranis, Daphne Zuniga, Josh Gad, Keke Palmer, and Lewis Pullman – and screenwriters Dan Hernandez and Benji Samit. Mel Brooks and Bill Pullman sent video messages.
In true Mel Brooks fashion, the »Spaceballs« team parodied Marvel panels and their typical announcements by unveiling a massive »Spaceballs Cinematic Universe« that spanned the hall's 180-degree screens. They showcased bizarre future iterations, sequels, and spin-offs (such as »The Schwartz Awakens« or musicals) across eleven phases. The real highlight, however, was the presence of actor Rick Moranis, who had effectively retired, returning to the screen specifically for the »Spaceballs« sequel. Kevin Smith asked for the room to be "combed" to track down Moranis. And indeed, he was found: wearing Lord Helmet's helmet, he received a standing ovation. During the panel, filmmakers Josh Gad and Josh Greenbaum recalled pitching the sequel to Mel Brooks, while Daphne Zuniga and Rick Moranis discussed returning to their iconic roles and reuniting with Brooks after decades. Keke Palmer shared what it was like to immerse herself in the legendary »Spaceballs« universe, and Lewis Pullman reflected on joining the franchise that had launched the career of his father, Bill Pullman. Gad also paid tribute to one of his personal idols, John Candy, whom he described as the heart and soul of the original film.
The planned US theatrical release date for »Spaceballs: The New One« is April 23, 2027.
Watch the panel here:
https://youtu.be/1O0nlFRhUzE
ALIENS
The »Aliens 40th Anniversary« Panel featured a reunion of many of the film's Space Marines. Participants included Jenette Goldstein (Private Vasquez), Mark Rolston (Private Drake), Ricco Ross (Private Frost), William Hope (Lieutenant Gorman), Daniel Kash (Private Spunkmeyer), Cynthia Scott (Corporal Dietrich), and Carl Toop (Alien Warrior). The panel was moderated by Mark Atkinson.
The actors discussed working with James Cameron and shared their personal casting experiences. They also recounted anecdotes from the set and reflected on the film's groundbreaking practical effects and the masterpiece's enduring legacy. The panel was pleasant and certainly entertaining, though we felt the lineup lacked some of the really big names.
You can find a recording of it here:
https://youtu.be/W_A9NZX9YBg
LUCAS MUSEUM OF NARRATIVE ART
The Lucas Museum of Narrative Art – founded by George Lucas and his wife, Mellody Hobson – opens its doors in Los Angeles on September 22 and is dedicated to the art of storytelling. Lucas had previously introduced the museum himself during a panel at SDCC last year. Now, roughly two months before the opening, Keke Palmer hosted a discussion about the exhibition. Guests included the museum's curator Ryan Linkof; producers, writers, directors, and longtime creative partners Matthew Senreich and Seth Green; and artist Jim Lee, who serves as President, Publisher, and Chief Creative Officer of DC.
Linkof offered a preview of what visitors can expect at the museum. The focus is on celebrating art from everyday life, such as comic books, illustrations, and movie posters, that typically finds no place in traditional art museums. He also revealed that the museum features two theaters with a continuous film program celebrating the art of filmmaking (ranging from experimental films and documentaries to animation) and the artists behind them. Lee also spoke enthusiastically about how the museum highlights art often viewed merely as mass-market entertainment. Works by Frank Frazetta, Norman Rockwell, Lee himself, and many other artists will be on display. He further emphasized the role of art as a means of self-expression and inspiration. Senreich and Green discussed their beginnings as artists and underscored the museum's importance as a place where art is not only collected and exhibited but also preserved. They also had a special announcement: the museum will screen episodes of »Star Wars Detours« – the unreleased animated Star Wars parody series produced by Green and Senreich in collaboration with Lucasfilm Animation.
You can watch the panel here:
https://youtu.be/qR8IFgYjkcw
PAN'S LABYRINTH
One theme ran through several SDCC panels this year like a common thread: the use of AI in the film industry. Back in spring, »Ant-Man« star Evangeline Lilly (Wasp) had angrily lashed out at Disney on Instagram after the company cut around 1,000 jobs – including Marvel's longtime director of visual development, Andy Park, who had designed her Wasp costume, among other things. Lilly accused Disney of planning to have AI reuse the laid-off artists' designs going forward, and directed a curt "Shame on you" straight at the company.
At the »Pan's Labyrinth – 20th Anniversary« panel – a full hour-long conversation with director/writer/producer Guillermo del Toro, Ofelia actress Ivana Baquero, Faun/Pale Man performer Doug Jones, and cinematographer Guillermo Navarro – del Toro essentially sided with Lilly's view and took a clear stance against AI in film: for the upcoming converted 3D version of the movie marking its 20th anniversary, he insisted on personally supervising the process, rejected AI tools entirely, and financed the elaborate conversion himself alongside collaborators — around 1,000 artists rotoscoped the film by hand instead. He also used the moment for some broader AI criticism: the technology, he said, denies up-and-coming artists the chance to ever learn VFX and post-production craft in the first place.
There were also some fascinating glimpses into the craft side of the shoot 20 years ago: for the Faun, whom Doug Jones played alongside the Pale Man, he studied the hind-leg movements of goats and cows. Del Toro's concept had the Faun aging backwards over the course of the film – growing younger, stronger, and more graceful the more Ofelia's belief restores the underworld – realized through gradual changes in makeup, posture, and movement. Ivana Baquero, who was only 11 during filming, described del Toro as unusually collaborative. She said he treated her as an equal creative partner despite her young age. To close, del Toro returned to one of his core beliefs: that art can save lives and offer hope in difficult moments.
Here's the interview:
https://youtu.be/ZkQgyHcVEdQ
MARVEL
As always, the main event in the big Hall H was Marvel Studios' Saturday showcase. This year, studio boss Kevin Feige's presentation focused heavily on the movie side of the Marvel Cinematic Universe – the »VisionQuest« series (October 14 on Disney+), the finale of the Wanda trilogy, only got a brief mention in passing. Otherwise it was all about films, and there are some heavy hitters headed our way. »Spider-Man: Brand New Day« hits theaters this week, and Jon Bernthal (The Punisher) made a brief stage appearance for it. During the big »Avengers: Doomsday« segment of the show, the stars gathered on stage — the most exciting part was easily Hayley Atwell's appearance, which thereby confirmed for the first time that Peggy Carter will be part of the Doomsday story, along with Ryan Reynolds' bizarre cameo in a Jean Grey-colored Deadpool costume, which naturally sent the rumor mill into overdrive. Did he just spoil »Spider-Man«, »Doomsday«, AND »Secret Wars« in one breath?
The biggest and most surprising news of the panel was definitely the announcement of a new »Ghost Rider« movie, with Ryan Gosling in the title role under Shawn Levy's direction. Slated for a 2028 release, Disney is presumably banking on the team behind »Star Wars: Starfighter« here, and looking to lock Ryan Gosling in for the long haul.
Ryan Coogler also unveiled »Black Panther III«, set to hit theaters in December 2028. Alongside Letitia Wright (Shuri) and Winston Duke (M'Baku), he brought David Jonsson (»The Long Walk«, »Alien: Romulus«) on stage, who will play T'Challa Jr., the new Black Panther. That's an unusual choice, since at 32, Jonsson is considerably older than T'Challa's son has been up to now. There was plenty of speculation here too about the possible implications for the MCU's soft reboot after »Avengers: Secret Wars«.
Here you can watch a recording of the panel:
https://youtu.be/-NyY15Stgpc
Besides the Marvel Studios panel, Thursday also brought a showcase for Insomniac's new »Marvel's Wolverine« game, which could definitely turn out to be one of THE games of the year.
29.07.2026 • SPIDER-MAN: BRAND NEW DAY
Tom Holland returns to the big screen for his fourth solo outing as Peter Parker in »Spider-Man: Brand New Day«! The movie hits theaters today.
Four years after the events of »Spider-Man: No Way Home«, Peter is cut off from his friends and loved ones, who forgot him following Dr. Strange's spell at the end of the previous film. Completely alone, he devotes himself to his identity as Spider-Man, protecting New York anonymously. As his superpowers evolve in mysterious and unexpected ways, and he attempts to reconnect with Ned (Jacob Batalon) and MJ (Zendaya), a new, invisible threat emerges that must be confronted.
The high-gear marketing campaign running for weeks, speculation surrounding Sadie Sink's role, and the anticipation of seeing Jon Bernthal return as the Punisher have really whipped fans into a frenzy. And rightly so, judging by the initial reviews and reactions. The blend of signature humor, thrilling action, and touching interpersonal moments is drawing praise, as are the performances – especially those of Holland and Bernthal. It looks like we're in for a truly outstanding superhero movie. We're super excited! How about you?
If you are, don't miss out on the »Spider-Man: Brand New Day« collectibles! We've already listed two fantastic 1/10 Art Scale Statues from Iron Studios, as well as – naturally – 1/6 scale figures of Spidey, Hulk, and the Punisher from Hot Toys. And knowing the Hong Kong-based manufacturer, there are definitely more figures to come.
Four years after the events of »Spider-Man: No Way Home«, Peter is cut off from his friends and loved ones, who forgot him following Dr. Strange's spell at the end of the previous film. Completely alone, he devotes himself to his identity as Spider-Man, protecting New York anonymously. As his superpowers evolve in mysterious and unexpected ways, and he attempts to reconnect with Ned (Jacob Batalon) and MJ (Zendaya), a new, invisible threat emerges that must be confronted.
The high-gear marketing campaign running for weeks, speculation surrounding Sadie Sink's role, and the anticipation of seeing Jon Bernthal return as the Punisher have really whipped fans into a frenzy. And rightly so, judging by the initial reviews and reactions. The blend of signature humor, thrilling action, and touching interpersonal moments is drawing praise, as are the performances – especially those of Holland and Bernthal. It looks like we're in for a truly outstanding superhero movie. We're super excited! How about you?
If you are, don't miss out on the »Spider-Man: Brand New Day« collectibles! We've already listed two fantastic 1/10 Art Scale Statues from Iron Studios, as well as – naturally – 1/6 scale figures of Spidey, Hulk, and the Punisher from Hot Toys. And knowing the Hong Kong-based manufacturer, there are definitely more figures to come.
28.07.2026 • SDCC TRAILERS
San Diego Comic Con is, of course, an event that many studios and networks use to give eager audiences a glimpse of upcoming attractions. This year was no exception, bringing a flood of trailers. Here is a quick, concise list of the most exciting ones, complete with links:
We recently discussed the massive Marvel superhero lineup in »Avengers: Doomsday«, but for the sake of completeness, here is the trailer again:
https://youtu.be/irVNGjRFZGk
The blockbuster will hit theaters this December.
»Spider-Man: Brand New Day« already opens this week. If you can't wait, here is the final trailer:
https://youtu.be/daXaTug8rL4
The trailer for the horror film »Other Mommy«, starring Jessica Chastain, reminded us a little bit of »Coraline«. It looks like a movie for fans of jump-scare horror:
https://youtu.be/bEpTgowZ1dI
You can see it in theaters this October.
DC goes body horror – here is the first full-length trailer for »Clayface«:
https://youtu.be/OGO4Mqvo3jI
Will this film turn things around for DC? We'll see when it hits theaters in October.
The first proper trailer for »Resident Evil« certainly whets our appetite:
https://youtu.be/mNd1gb19A-c
We are very curious to see what the talented Mr. Cregger (»Barbarian«, »Weapons«) will do with the franchise – in theaters this September!
Are you in the Christmas spirit yet? Johnny Depp stars as Ebenezer Scrooge in »Ebenezer«, an adaptation of Charles Dickens' »A Christmas Carol«, directed by Ti West (»X«, »Pearl«, »MaXXXine«):
https://youtu.be/A7lyvgnDuDE
Ian McKellen and Rupert Grint also feature in the cast. You can see them in theaters this November.
The Looney Tunes are causing chaos once again in the final trailer for »Coyote vs. ACME«. It's packed with nostalgia and gives off distinct Roger Rabbit vibes:
https://youtu.be/kMsiD1Nky5I
Coming to theaters this September!
John Cena and Jessica Biel star in »Matchbox: The Movie« – inspired by the world-famous Mattel toys:
https://youtu.be/7xfqITrMDcI
We have to admit: we're still a bit skeptical, but we'll see on Apple TV+ on October 9.
If you can't get enough of the Dark Knight, check out this animated film:
https://youtu.be/90HAqMk7qv0
»Batman: Knightfall Part 1: Knightfall« will be arriving digitally on August 25 and on DVD/Blu-ray on September 8.
There are also a few exciting streaming series in the pipeline:
The new animated series »Avatar: Seven Havens« takes place after »The Legend of Korra« and is set to launch as early as October – much sooner than expected – taking the release slot originally intended for the movie »Avatar Aang: The Last Airbender«, which has also been moved up. All 26 episodes of the first two seasons arrive on Paramount+ on October 9:
https://youtu.be/RvksPficuOU
»Percy Jackson & The Olympians« returns for a third season on Disney+ on November 20:
https://youtu.be/iPB8scQOIeI
No evil escapes their watch! Intergalactic police officers John Stewart and Hal Jordan uncover a dark secret:
https://youtu.be/7UIBOsuUwc4
Starting August 17, HBO Max brings us the new series »Lanterns« from DC Studios.
Are you still on board for »Rings of Power«, or would you rather wait for Gollum? Season 3 of the series premieres on Amazon Prime Video just in time for the start of the carnival season on November 11:
https://youtu.be/QmS7WuI9u40
Starting November 25, we can dive into the world of replicants with »Blade Runner 2099« on Amazon Prime Video:
https://youtu.be/0Dr8I_RyRCg
Starring Michelle Yeoh and Hunter Schafer – we are definitely interested!
Led by Captain Christopher Pike, the crew of the U.S.S. Enterprise embarks on a series of exciting and emotional adventures across the galaxy in »Star Trek: Strange New Worlds«:
https://youtu.be/ri6_EDyxvC4
New episodes of season 4, which has just started airing last Thursday, will drop each week on Paramount+.
»Neuromancer« – a series based on the cyberpunk novel by William Gibson? That's a total no-brainer. Starting January 22 on Apple TV+:
https://youtu.be/g79GPZSQHBk
»Carrie«, based on the novel by Stephen King, is a series adaptation directed by the highly acclaimed Mike Flanagan (»The Haunting of Hill House«, »The Life of Chuck«):
https://youtu.be/NJTf5CIAcj
All episodes will be available on Amazon Prime Video starting October 7.
»Dark Matter« is finally returning:
https://youtu.be/zhB6_1UbR7s
If you aren't familiar with the series yet, be sure to check it out! The second season of this parallel-universe sci-fi show starring Joel Edgerton and Jennifer Connelly premieres on Apple TV+ on August 28.
And finally, something to make you smile: »LEGO One Piece«, a two-part Netflix special featuring the voice cast from the original Netflix series, told from Usopp's perspective:
https://youtu.be/JFZ5HW-LRZI
You can watch it from September 29.
Have you discovered any other exciting new trailers? And what was your highlight?
We recently discussed the massive Marvel superhero lineup in »Avengers: Doomsday«, but for the sake of completeness, here is the trailer again:
https://youtu.be/irVNGjRFZGk
The blockbuster will hit theaters this December.
»Spider-Man: Brand New Day« already opens this week. If you can't wait, here is the final trailer:
https://youtu.be/daXaTug8rL4
The trailer for the horror film »Other Mommy«, starring Jessica Chastain, reminded us a little bit of »Coraline«. It looks like a movie for fans of jump-scare horror:
https://youtu.be/bEpTgowZ1dI
You can see it in theaters this October.
DC goes body horror – here is the first full-length trailer for »Clayface«:
https://youtu.be/OGO4Mqvo3jI
Will this film turn things around for DC? We'll see when it hits theaters in October.
The first proper trailer for »Resident Evil« certainly whets our appetite:
https://youtu.be/mNd1gb19A-c
We are very curious to see what the talented Mr. Cregger (»Barbarian«, »Weapons«) will do with the franchise – in theaters this September!
Are you in the Christmas spirit yet? Johnny Depp stars as Ebenezer Scrooge in »Ebenezer«, an adaptation of Charles Dickens' »A Christmas Carol«, directed by Ti West (»X«, »Pearl«, »MaXXXine«):
https://youtu.be/A7lyvgnDuDE
Ian McKellen and Rupert Grint also feature in the cast. You can see them in theaters this November.
The Looney Tunes are causing chaos once again in the final trailer for »Coyote vs. ACME«. It's packed with nostalgia and gives off distinct Roger Rabbit vibes:
https://youtu.be/kMsiD1Nky5I
Coming to theaters this September!
John Cena and Jessica Biel star in »Matchbox: The Movie« – inspired by the world-famous Mattel toys:
https://youtu.be/7xfqITrMDcI
We have to admit: we're still a bit skeptical, but we'll see on Apple TV+ on October 9.
If you can't get enough of the Dark Knight, check out this animated film:
https://youtu.be/90HAqMk7qv0
»Batman: Knightfall Part 1: Knightfall« will be arriving digitally on August 25 and on DVD/Blu-ray on September 8.
There are also a few exciting streaming series in the pipeline:
The new animated series »Avatar: Seven Havens« takes place after »The Legend of Korra« and is set to launch as early as October – much sooner than expected – taking the release slot originally intended for the movie »Avatar Aang: The Last Airbender«, which has also been moved up. All 26 episodes of the first two seasons arrive on Paramount+ on October 9:
https://youtu.be/RvksPficuOU
»Percy Jackson & The Olympians« returns for a third season on Disney+ on November 20:
https://youtu.be/iPB8scQOIeI
No evil escapes their watch! Intergalactic police officers John Stewart and Hal Jordan uncover a dark secret:
https://youtu.be/7UIBOsuUwc4
Starting August 17, HBO Max brings us the new series »Lanterns« from DC Studios.
Are you still on board for »Rings of Power«, or would you rather wait for Gollum? Season 3 of the series premieres on Amazon Prime Video just in time for the start of the carnival season on November 11:
https://youtu.be/QmS7WuI9u40
Starting November 25, we can dive into the world of replicants with »Blade Runner 2099« on Amazon Prime Video:
https://youtu.be/0Dr8I_RyRCg
Starring Michelle Yeoh and Hunter Schafer – we are definitely interested!
Led by Captain Christopher Pike, the crew of the U.S.S. Enterprise embarks on a series of exciting and emotional adventures across the galaxy in »Star Trek: Strange New Worlds«:
https://youtu.be/ri6_EDyxvC4
New episodes of season 4, which has just started airing last Thursday, will drop each week on Paramount+.
»Neuromancer« – a series based on the cyberpunk novel by William Gibson? That's a total no-brainer. Starting January 22 on Apple TV+:
https://youtu.be/g79GPZSQHBk
»Carrie«, based on the novel by Stephen King, is a series adaptation directed by the highly acclaimed Mike Flanagan (»The Haunting of Hill House«, »The Life of Chuck«):
https://youtu.be/NJTf5CIAcj
All episodes will be available on Amazon Prime Video starting October 7.
»Dark Matter« is finally returning:
https://youtu.be/zhB6_1UbR7s
If you aren't familiar with the series yet, be sure to check it out! The second season of this parallel-universe sci-fi show starring Joel Edgerton and Jennifer Connelly premieres on Apple TV+ on August 28.
And finally, something to make you smile: »LEGO One Piece«, a two-part Netflix special featuring the voice cast from the original Netflix series, told from Usopp's perspective:
https://youtu.be/JFZ5HW-LRZI
You can watch it from September 29.
Have you discovered any other exciting new trailers? And what was your highlight?
23.07.2026 • A TOY IS NEVER TRULY FORGOTTEN
»Toy Story 5« opens in German cinemas today. Mick attended one of the many preview screenings weeks ago. Here are his thoughts on the new toy adventure:
In 1995, »Toy Story« made film history as the first feature-length movie created entirely on a computer. The film was full of creative and funny ideas, while also being heartfelt and conveying moving messages.
After its huge success, it was no surprise that sequels followed in 1999 and 2010. The series continued to improve both in terms of content and technical quality. In »Toy Story 3«, Andy, the owner of the toys, has grown up and is now attending college. Through a mix-up, cowboy Woody and his friends end up at Sunnyside Kindergarten, where Lotso the Teddy Bear rules with an iron fist. After a dramatic climax at the incinerator, the toys find a new home with little Bonnie. The moment of Andy and Bonnie playing with the toys at the end was a real tear-jerker, and the perfect conclusion to the »Toy Story« trilogy.
According to the ironclad Hollywood rule, however, anything successful can never end. Although Pixar didn't run out of ideas and raised the bar even higher in terms of animation in 2019, the fourth installment couldn't quite live up to the magnificent third film. Now, 31 years after the original, comes »Toy Story 5«.
The film opens on a deserted island with a wrecked shipping container full of Buzz Lightyear action figures, who, in a parallel storyline, fight their way back to civilization.
The second scene is a flashback, showing us the new protagonist, cowgirl Jessie, with her first owner, Emily. Woody also reappears, but plays more of a supporting role. This feels quite natural, since at the end of the fourth film, he left the gang, stayed with Bo Peep, and passed his sheriff's badge on to Jessie.
In the new story, playtime is threatened by technology when Bonnie receives a children's tablet, the Lilypad, as a gift. The theme of technology also played a role in the 2014 short film »Toy Story That Time Forgot«, in which a game console completely captured the children's attention.
Bonnie is shy and doesn't easily make new friends. While our toys are still figuring out how to help her, the Lilypad connects her with three other users. These girls think toys are uncool, and so Bonnie hardly plays with hers anymore, preferring to spend her time in front of the screen.
From a design perspective, I really liked the change in visual style during the toy game. It creates a kind of film within a film, immersing us in Bonnie's fantasy world.
Although »Toy Story 5« addresses the dangers of technology, the potential premature loss of childhood, as well as peer pressure and bullying, it doesn't simply demonize technology. The antagonist, Lilypad, ultimately doesn't mean any harm; she believes she's doing what's best for Bonnie and proves capable of learning. Several older devices also provide valuable assistance when it comes to communication and making contact. Thus, the story ultimately finds a conciliatory happy ending, to which the Buzz Army also contributes.
Pixar has once again delivered a funny and imaginative film that celebrates creative play and friendship with a heartwarming message.
In 1995, »Toy Story« made film history as the first feature-length movie created entirely on a computer. The film was full of creative and funny ideas, while also being heartfelt and conveying moving messages.
After its huge success, it was no surprise that sequels followed in 1999 and 2010. The series continued to improve both in terms of content and technical quality. In »Toy Story 3«, Andy, the owner of the toys, has grown up and is now attending college. Through a mix-up, cowboy Woody and his friends end up at Sunnyside Kindergarten, where Lotso the Teddy Bear rules with an iron fist. After a dramatic climax at the incinerator, the toys find a new home with little Bonnie. The moment of Andy and Bonnie playing with the toys at the end was a real tear-jerker, and the perfect conclusion to the »Toy Story« trilogy.
According to the ironclad Hollywood rule, however, anything successful can never end. Although Pixar didn't run out of ideas and raised the bar even higher in terms of animation in 2019, the fourth installment couldn't quite live up to the magnificent third film. Now, 31 years after the original, comes »Toy Story 5«.
The film opens on a deserted island with a wrecked shipping container full of Buzz Lightyear action figures, who, in a parallel storyline, fight their way back to civilization.
The second scene is a flashback, showing us the new protagonist, cowgirl Jessie, with her first owner, Emily. Woody also reappears, but plays more of a supporting role. This feels quite natural, since at the end of the fourth film, he left the gang, stayed with Bo Peep, and passed his sheriff's badge on to Jessie.
In the new story, playtime is threatened by technology when Bonnie receives a children's tablet, the Lilypad, as a gift. The theme of technology also played a role in the 2014 short film »Toy Story That Time Forgot«, in which a game console completely captured the children's attention.
Bonnie is shy and doesn't easily make new friends. While our toys are still figuring out how to help her, the Lilypad connects her with three other users. These girls think toys are uncool, and so Bonnie hardly plays with hers anymore, preferring to spend her time in front of the screen.
From a design perspective, I really liked the change in visual style during the toy game. It creates a kind of film within a film, immersing us in Bonnie's fantasy world.
Although »Toy Story 5« addresses the dangers of technology, the potential premature loss of childhood, as well as peer pressure and bullying, it doesn't simply demonize technology. The antagonist, Lilypad, ultimately doesn't mean any harm; she believes she's doing what's best for Bonnie and proves capable of learning. Several older devices also provide valuable assistance when it comes to communication and making contact. Thus, the story ultimately finds a conciliatory happy ending, to which the Buzz Army also contributes.
Pixar has once again delivered a funny and imaginative film that celebrates creative play and friendship with a heartwarming message.
22.07.2026 • SAN DIEGO COMIC CON 2026
Today's Preview Night kicks off San Diego Comic-Con 2026, ahead of the San Diego Convention Center officially opening its doors tomorrow for the pop-culture event of the year. We're expecting a huge lineup of panels featuring interesting announcements, numerous trailers for upcoming movies and series, and – of course – a host of exciting new collectibles.
As always, we'll be (virtually) scouring the show floor to see what manufacturers like Sideshow, Iron Studios, Weta Workshop, Kaustic Plastik, and many others are unveiling in San Diego, compiling the highlights and presenting them in a NADFU special on our YouTube channel next week. What are you most excited about?
As always, we'll be (virtually) scouring the show floor to see what manufacturers like Sideshow, Iron Studios, Weta Workshop, Kaustic Plastik, and many others are unveiling in San Diego, compiling the highlights and presenting them in a NADFU special on our YouTube channel next week. What are you most excited about?
22.07.2026 • THE POWER OF GRAYSKULL IN OUR LIVING ROOMS!
»Masters of the Universe« – the live-action blockbuster from director Travis Knight that has been celebrated by us fans – premieres today exclusively on Prime Video at no extra cost. 🥳💪
However, anyone wanting to experience the epic battle for honor, power, and the future of Eternia on disc, or simply have it on their shelf, will have to be patient. A specific release date for DVD and Blu-ray is not yet known, though there will likely be several editions to choose from, ensuring something for every taste and budget. The 4K UHD Blu-ray Collector's Steelbook Edition sounds particularly tempting; it will include items such as a poster and art cards and appears to be available exclusively via the Plaion Pictures shop.
However, anyone wanting to experience the epic battle for honor, power, and the future of Eternia on disc, or simply have it on their shelf, will have to be patient. A specific release date for DVD and Blu-ray is not yet known, though there will likely be several editions to choose from, ensuring something for every taste and budget. The 4K UHD Blu-ray Collector's Steelbook Edition sounds particularly tempting; it will include items such as a poster and art cards and appears to be available exclusively via the Plaion Pictures shop.
21.07.2026 • AN UPRISING, A DARK KNIGHT, AND THE ONE RING
A few days ago, Focus Features released the first trailer for Paul Greengrass's latest project – one that fans of historical films among you will likely be excited about: »The Uprising«! In this film, the director, best known to most for the Bourne movies, tells the story of the Peasants' Revolt of 1381 in England, during which peasants and fishermen rose up against the oppression of tax collectors and King Richard II. The story centers on Wat Tyler, one of the rebellion's leaders, portrayed here by Andrew Garfield. We're really looking forward to seeing Garfield in such a gritty, dark film – especially one shot right in our own backyard! Filming took place in 2025 at various locations in Franconia and Munich. We'll be able to see the final result in theaters this September. Check out the trailer here:
https://youtu.be/ZVkrhHebz1Q
We'll have to wait considerably longer for »The Batman: Part II«; the blockbuster's release date, February 18, 2028, was announced via an official "Camera Test" teaser that shows nothing more than a close-up of Robert Pattinson in the superhero's costume, slowly turning toward the camera. After several delays, Matt Reeves' sequel to »The Batman« (2022) is now set to hit US theaters six years after the original film. It was originally scheduled to arrive on the big screen in 2025.
https://youtu.be/aG8U7-XK7PI
Andy Serkis, who will reprise his role as Alfred Pennyworth in »The Batman: Part II«, is bringing his own film to theaters about two months prior. In »The Lord of the Rings: The Hunt for Gollum«, he is not only directing but also returning to what is arguably his most famous role: Gollum. After Anya Taylor-Joy was announced as part of the cast just last month, we got a brief "Start of Production" teaser a few days ago that, to the delight of fans, showed a real set instead of a green screen. You can watch the short but epic clip here:
https://youtu.be/g5Rc_MTTO9M
Which of these films are you most looking forward to?
https://youtu.be/ZVkrhHebz1Q
We'll have to wait considerably longer for »The Batman: Part II«; the blockbuster's release date, February 18, 2028, was announced via an official "Camera Test" teaser that shows nothing more than a close-up of Robert Pattinson in the superhero's costume, slowly turning toward the camera. After several delays, Matt Reeves' sequel to »The Batman« (2022) is now set to hit US theaters six years after the original film. It was originally scheduled to arrive on the big screen in 2025.
https://youtu.be/aG8U7-XK7PI
Andy Serkis, who will reprise his role as Alfred Pennyworth in »The Batman: Part II«, is bringing his own film to theaters about two months prior. In »The Lord of the Rings: The Hunt for Gollum«, he is not only directing but also returning to what is arguably his most famous role: Gollum. After Anya Taylor-Joy was announced as part of the cast just last month, we got a brief "Start of Production" teaser a few days ago that, to the delight of fans, showed a real set instead of a green screen. You can watch the short but epic clip here:
https://youtu.be/g5Rc_MTTO9M
Which of these films are you most looking forward to?
20.07.2026 • SOMETHING'S COMING ... DOOMSDAY!
Not waiting for the theatrical release of »Spider-Man: Brand New Day«, but right now – serving, so to speak, as an early prelude to San Diego Comic-Con – Marvel Studios has unleashed the official trailer for »Avengers: Doomsday« upon the world:
https://youtu.be/irVNGjRFZGk
So, who's got goosebumps? 🤯
https://youtu.be/irVNGjRFZGk
So, who's got goosebumps? 🤯
20.07.2026 • 25 YEARS OF SPIRITED AWAY
It is hard to believe that this legendary masterpiece by Hayao Miyazaki is already 25 years old: »Spirited Away«, one of the most famous films from Studio Ghibli, celebrates its anniversary today. To mark the occasion, several cinemas are bringing this unforgettable adventure back to the big screen in August – just shortly after the highly emotional re-release success of »Grave of the Fireflies«.
»Spirited Away« follows the story of the shy girl Chihiro, who discovers a seemingly abandoned village with her parents. At this point, they have no idea that this is actually the realm of gods and spirits, which is forbidden to humans. After Chihiro's parents gorge themselves on food from one of the stalls without asking, they literally turn into greedy pigs. Suddenly, the ten-year-old is completely on her own and forced to work in the bathhouse of the shady witch Yubaba. Yubaba steals her name to magically bind her to a contract that prevents her and her parents from returning to the human world. A similar fate is shared by the mysterious boy Haku, who is under the witch's magical spell and serves as her compliant henchman. Just as Chihiro is about to forget her true identity, Haku stands by her side. Now it is up to her to free them both and her parents from Yubaba's clutches.
»Spirited Away« is a truly cohesive and profound film, even though Hayao Miyazaki began production at the time without a finished script. In this way, the story developed organically during the drawing process. Nonetheless, he succeeded in creating a thoroughly thought-out story from start to finish, complete with multi-layered characters and a captivating atmosphere that remains memorable to many of us to this day. Furthermore, Miyazaki likes to incorporate socially critical themes into his works to question our humanity and our place in the world. Thus, consumer greed and environmental pollution are central elements of the film, illustrated through the hungry pigs, No-Face, and the stinky river spirit.
The true centerpiece of the film, however, remains the character development of the two protagonists. It is incredibly rewarding to accompany Chihiro on her journey from an anxious girl to a brave heroine. Haku's relationship with the witch Yubaba and his transformation from loyal henchman to rebel who gradually questions his blind loyalty is also fascinating to watch every single time. This inner liberation of both characters shows that empathy and identity are arguably the most powerful weapons against greed and tyranny. This is exactly what makes this emotional masterpiece so unique and, above all, timeless.
»Spirited Away« follows the story of the shy girl Chihiro, who discovers a seemingly abandoned village with her parents. At this point, they have no idea that this is actually the realm of gods and spirits, which is forbidden to humans. After Chihiro's parents gorge themselves on food from one of the stalls without asking, they literally turn into greedy pigs. Suddenly, the ten-year-old is completely on her own and forced to work in the bathhouse of the shady witch Yubaba. Yubaba steals her name to magically bind her to a contract that prevents her and her parents from returning to the human world. A similar fate is shared by the mysterious boy Haku, who is under the witch's magical spell and serves as her compliant henchman. Just as Chihiro is about to forget her true identity, Haku stands by her side. Now it is up to her to free them both and her parents from Yubaba's clutches.
»Spirited Away« is a truly cohesive and profound film, even though Hayao Miyazaki began production at the time without a finished script. In this way, the story developed organically during the drawing process. Nonetheless, he succeeded in creating a thoroughly thought-out story from start to finish, complete with multi-layered characters and a captivating atmosphere that remains memorable to many of us to this day. Furthermore, Miyazaki likes to incorporate socially critical themes into his works to question our humanity and our place in the world. Thus, consumer greed and environmental pollution are central elements of the film, illustrated through the hungry pigs, No-Face, and the stinky river spirit.
The true centerpiece of the film, however, remains the character development of the two protagonists. It is incredibly rewarding to accompany Chihiro on her journey from an anxious girl to a brave heroine. Haku's relationship with the witch Yubaba and his transformation from loyal henchman to rebel who gradually questions his blind loyalty is also fascinating to watch every single time. This inner liberation of both characters shows that empathy and identity are arguably the most powerful weapons against greed and tyranny. This is exactly what makes this emotional masterpiece so unique and, above all, timeless.
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